Such combinations as these are given as
instances: "highly-him-preferre," "renowned-name," "repose-me-quietlie,"
"in-mind-uplay," "turn-to-ashes," "my-alonely-soul," "beat-them-final,"
"pouring-out-them-hard," "inveyers-mak-streight," and "condemn-thou-them-
as-guilty,"--which certainly would make fit verses to be sung to the
accompaniment of Master Mace's "excellent-large-plump-lusty-fullspeaking-
organ."
Ainsworth's Version when read proves to be a scholarly book, exhibiting far
better grammar and punctuation and more uniformity of spelling than "The
New England Psalm-book," which at a later date displaced Ainsworth in the
affections and religious services of the New England Puritans and Pilgrims.
Both versions are somewhat confused in sense, and of uncouth and grotesque
versification; though the metre of Ainsworth is better than the rhyme. It
is all written in "common metre," nearly all in lines of eight and six
syllables alternately.
The name of the author of this version was Henry Ainsworth; he was the
greatest of all the Holland Separatists, a typical Elizabethan Puritan,
who left the church in which he was educated and attached himself to the
Separatists, or Brownists, as they were called. He went into exile in
Amsterdam in 1593, and worked for some time as a porter in a book-seller's
shop, living (as Roger Williams wrote) "upon ninepence in the weeke with
roots boyled.
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