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Electricity seems destined to play a most important part in the
arts and industries. The question of its economical application to
some purposes is still unsettled, but experiment has already proved
that it will propel a street car better than a gas jet and give more
light than a horse.
ELEGY, n. A composition in verse, in which, without employing any of
the methods of humor, the writer aims to produce in the reader's mind
the dampest kind of dejection. The most famous English example begins
somewhat like this:
The cur foretells the knell of parting day;
The loafing herd winds slowly o'er the lea;
The wise man homeward plods; I only stay
To fiddle-faddle in a minor key.
ELOQUENCE, n. The art of orally persuading fools that white is the
color that it appears to be. It includes the gift of making any color
appear white.
ELYSIUM, n. An imaginary delightful country which the ancients
foolishly believed to be inhabited by the spirits of the good. This
ridiculous and mischievous fable was swept off the face of the earth
by the early Christians -- may their souls be happy in Heaven!
EMANCIPATION, n. A bondman's change from the tyranny of another to
the despotism of himself.
He was a slave: at word he went and came;
His iron collar cut him to the bone.
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