Perhaps he had been seized with a dislike for complete
silence, such as comes upon men in recurring hours of depression, when
the mind is submerged by a thin tide of unreasoning melancholy, and sound
of one kind or another is as ardently sought as at other times it is
avoided. In this room Valentine could hear the vague traffic of the dim
street outside, the dull tumult of an omnibus, the furtive, flashing
clamour of a hansom, the cry of an occasional newsboy, explanatory of
the crimes and tragedies of the passing hour. Or perhaps the eyes of
Valentine were, for the moment, weary of the monotonous green walls of
his sanctum, leaning tent-wise towards the peaked apex of the ceiling,
and longed to rest on the many beautiful pictures that hung in one line
around his drawing-room. It seemed so, for now, as he sat in a chair
before the fire, holding Rip upon his knee, his blue eyes were fixed
meditatively upon a picture called "The Merciful Knight," which faced
him over the mantelpiece. This was the only picture containing a figure
of the Christ which Valentine possessed. He had no holy children, no
Madonnas. But he loved this Christ, this exquisitely imagined dead,
drooping figure, which, roused into life by an act of noble renunciation,
bent down and kissed the armed hero who had been great enough to forgive
his enemy.
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