. . . . . . . . . . . . . . . . . . . . . . . . . 651
Foreground Key and Foreground Alpha . . . . . . . . . . . . . . . . 664
Foreground Keying . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 668
Shadows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 670
The Next Step . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 676
A Plug-ins and Resources 677
B What??™s on the DVD 697
Index 701
Inside LightWave v9 viii
ix
Acknowledgments
Just as it was with my Inside LightWave [8] book, I cannot express my gratitude to my
friend, Deuce. He, in many ways, has made this book possible.Without his help and sincere
friendship, this book would be nothing more than a paperweight. Thanks, Deuce, for
all of your help and direction. But it goes further, maybe even more than Deuce (just
kidding!)??”thank you so much, William Vaughan, for your insight, help, models, and
cover image. Your expertise, years in the field, and general good nature have made working
on this book more enjoyable than I expected. Thank you also to Alejandro Parrilla,
who worked on the image for our cover along with William.
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